When I was offered to voice Baba Yaga, I turned immediately happy, because all actors love distinctive characters. But when it turned out that my Yaga is also such a modern beauty, I was doubly happy. Voicing her was just happiness, considering that she has two ages, technically these are two different characters. The cartoon has such touching moments that I almost cried during the voice-over. A very professional team works on Koschei, which is a pleasure to work with.

What I like about voicing Tig is that the character is very lively. He is bold, coward, bullying, touchy, cunning, and simple-minded - all at the same time. Realistic characters are very important for children's perception.

I've always liked ‘A’ students, who are not instructive bores at the same time. Excellent student with zest are perfect! I think Elizabeth the Wise is one of them. It was the first time I had to play strong women, but with such a high IQ.Since childhood, I wanted to voice cartoons. I hope this is just the beginning.

The image of Alice from the Fantasy Patrol is like a new role! The heroine doesn't look like me at all. But I managed to surprise my sons. They were delighted when they recognized my voice when watching the cartoon.

For me, Helena's voiceover is a complete immersion every time - vocally, physically, and plot-wise. Usually, I voice four episodes at a time, upon which my watch shows 350/400 kcal – SPENT! I need you to understand, that's like a "walk in the mountains" for a distance of 10 km! That's why we are always in the best shape with Helena

This is a new experience for me. Voicing a cartoon requires much more energy and technique than voicing a movie or a book. And most importantly, it develops the actor's imagination, which helps create the character

I am interested in diverse characters that have hooliganism in them. In a cartoon, I can do something that I will never play in a movie!

If the character’s appearance remains unchanged, the changes will concern only his personal features.When his appearance also changes, for instance, he turns into monster, the voice will certainly change accordingly.

I love to voice cartoon characters, no matter what character it is. I particularly remember Chupacabra from Heroes of Envell for the voice I’ve never used anywhere.

The hardest but most rewarding experience for me was making voice-overs for Woodventures. It was quite difficult to work with my voice because there were three diverse characters.

When working on cartoon Leo and Tig, the most interesting thing was that you didn’t have to voice-over the animation. For me personally, it was a real revelation. I don’t voice a ready cartoon, I voice a text from a script.

I always say, If the movie is voiced properly, you don’t notice that. You forget about that at all. If an actor or an actress are really good at what they do, they dissolve in their characters.

People keep working miracles. The history of cinema began about 100 years ago — there are still perspectives for growth. And that’s great! We still have plenty of opportunities!